Sony E 35Mm F/1.8 Oss Vs Sigma 30Mm F/1.4 – Difference and Comparison

When it comes to choosing a 35mm or 30mm prime lens for your Sony camera, the decision can be tough. Both the Sony E 35mm f/1.8 OSS and the Sigma 30mm f/1.4 DC HSM Art lenses have their pros and cons, so it really depends on what you’re looking for in a lens. If you’re trying to decide between these two lenses, here’s a breakdown of each one to help you make your decision.

When it comes to choosing a 35mm prime lens, there are two main contenders: the Sony E 35mm f/1.8 OSS and the Sigma 30mm f/1.4. Both lenses are extremely sharp, with great bokeh and low-light performance. So, which one is right for you?

The Sony E 35mm f/1.8 OSS is a great choice if you’re looking for a versatile lens that can do it all. It’s perfect for everything from street photography to portraits, and its fast autofocus makes it ideal for shooting in any situation. The only downside is its price tag; at $598, it’s one of the most expensive 35mm lenses on the market.

The Sigma 30mm f/1.4 is another excellent option, and it’s significantly cheaper than the Sony lens at just $339. It’s not quite as versatile as the Sony lens, but its larger aperture makes it ideal for low-light photography and astrophotography.

Sony 35mm f1.8 vs Sigma 30mm f1.4 (2020)

What is the Difference between Sony E 35Mm F/1

8 OSS and Sony Zeiss Planar T* FE 50mm f/1.4 ZA? When it comes to lenses, there are a few things that you need to take into account in order to make sure that you’re getting the best possible image quality. With Sony E 35mm f/1.8 OSS and Sony Zeiss Planar T* FE 50mm f/1.4 ZA, two of the most popular choices for lenses, how do you know which one is right for you?

In this article, we’ll be breaking down the key differences between these two lenses so that you can make an informed decision about which one is best suited for your needs. Sony E 35mm f/1.8 OSS: -Compatible with both full frame and APS-C sensors

-Focal length: 35mm -Maximum aperture: f/1.8 -Minimum aperture: f/22

– angle of view on full frame sensor: 63 degrees Pros: -Fast and accurate autofocus due to built-in Optical SteadyShot (OSS) image stabilization

Cons: -No weather sealing Sony Zeiss Planar T* FE 50mm f/1.4 ZA:

-Compatible with full frame sensors only -Focal length: 50mm -Maximum aperture :f/1.4

Minimum aperture :f /16 Pros : -Exceptional sharpness and bokeh due to Sonnar optical design by ZEISS optics -Fast maximum aperture allows for shooting in low light conditions or achieving shallow depth of field effects

Sigma 30Mm F/1.4

DC DN Contemporary Lens Review 8 Oss and Sigma 30mm f/1.4 DC DN Contemporary Lens Review When it comes to fast, wide-aperture prime lenses for Sony E-mount cameras, the Rokinon AF 35mm F1.4 is currently the only game in town… until now.

With the introduction of the new Sigma 30mm F1.4 DC DN | C lens, Sony shooters finally have a native option that doesn’t require an adapter. This joins the other two “Contemporary” line lenses from Sigma – a 19mm F2.8 and a 60mm F2.8 – as affordable yet high quality primes designed specifically for APS-C mirrorless cameras. But how does this new 30mm compare to the existing 35mm?

Let’s take a closer look in our full review! At first glance, the biggest difference between these two Sigma lenses is their focal length – 30mm vs 35mm on APS-C sensor cameras like the Sony A6300 results in about 50% more field of view with the 30mm lens attached. That said, both of these are still considered “wide angle” lenses; while you can certainly use them for portraiture, you’ll want something longer if your primary focus is on shooting people (the 85mm short telephoto range is typically considered ideal for headshots).

So if you’re looking at these two lenses primarily for landscapes or cityscapes, then yes – the extra 5mm on the 30 will give you slightly wider framing options. However, do keep in mind that this also means objects will appear about 10% smaller in your frame with the same camera position; so if you frequently shoot wide and crop later in post-processing, going with the 35 might be a better option since it will give you a little extra room to work with (and cropping always degrades image quality slightly).

Apart from their different focal lengths, these two lenses are actually very similar in terms of specs and performance… which isn’t surprising given that they’re both part of Sigma’s “Contemporary” line which focuses on affordability without sacrificing image quality or build quality.

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Which Lens is Better for Portrait Photography

There is no definitive answer when it comes to choosing the best lens for portrait photography. It really depends on your own personal preferences and shooting style. However, there are a few lenses that are generally considered to be good choices for portrait photography.

These include telephoto lenses (which allow you to capture close-up shots of your subjects), wide-aperture lenses (which let in more light and create a shallow depth of field), and macro lenses (which are great for capturing small details). Ultimately, the best lens for you is the one that allows you to capture the type of portraits you want to take.

Which Lens is Better for Low Light Photography

There is no definitive answer to this question as it depends on the specific needs of the photographer. However, in general, prime lenses tend to be better for low light photography than zoom lenses because they have wider apertures that allow more light into the camera. Additionally, prime lenses typically have shorter focal lengths, which means that they can capture more of the scene in low light conditions.

Credit: mirrorlesscomparison.com

Conclusion

In this blog post, the author compares the Sony E 35mm f/1.8 Oss and Sigma 30mm f/1.4 lenses. Both are fast prime lenses, but the Sigma is a bit faster with a maximum aperture of f/1.4. The Sony lens is smaller and lighter, making it a good choice for travel photography.

The Sigma lens has a better build quality and produces sharper images, making it the better choice for professional photographers.

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